This Is the Way I Communicate
Like light flickering over a piano in a sultry cabaret, like a round blue balloon fitfully drifting out into the storm-laden sky, like anyone you know or I know trying yet again to remember just what it was we were doing with our lives: that’s what its all been like. The cat cries, and I respond filled with the illusion of concern. The world cries, and my besotten brain bleeds into tears of angry, chain-rattling despair. It’s all about language. It’s all about the symbols we choose. A new day dawns cloudy and forbidding.
We are entering San Francisco in the morning fog, early, early, the world still dreaming. Or maybe it was Cambridge, Mass., lost in the fog, unsure of time or space. Sometimes there is singing: something about a “Yellow Submarine” or “Strawberry Fields” or sometimes haunting melodies without words. But it’s all about the words, even those implied by the music.
Wine can help. By the gods, wine is sometimes all that can help (tho sometimes even wine betrays me).
The stinking debris of mornings after the night before, or just morning by the coast with the stink of rotting fish, the cries of gulls or sirens, the emptiness without tears, the cold of morning — I remember that too. That no more mornings could touch me, that I could hide contented in the night dreaming flying dreams so none could touch me. Fragments. Taking life in fragments. Folding each shiny fragment into tender velvet pockets sequined to reflect the light, let them be all right, feel cared for. Let the nights protect us from the days. Like a wandering hermit with a self-igniting lantern . . . .